InStitchuSeasonal menswear campaign
Hand-drawn floral line work layered over campaign photography, carried across web, social and racing-season promotion.
Fashion
Line illustration · Web · Social
Line illustration · Web · Social
I’m Steph, a Senior Creative Designer. I work across fashion, property, branding and education. I love all things art, design and creative direction.
Seven areas of practice. Videos play silently as you scroll.
Line work, characters and campaign illustration.
Hand-drawn floral line work layered over campaign photography, carried across web, social and racing-season promotion.
Hand drawn character illustrations for a free-coffee thank-you to neighbours affected by road closures during construction.
A large-format brand illustration for Carly Co’s office: ribbon roads in the brand colours winding past buildings to the car.
A friendly, flat character system for Downer’s digital and onboarding material: workers across roles, each holding the task the screen explains.
Drawn while the bushfires were burning across Australia: kangaroos, koalas, kookaburras and firefighters in continuous line work, together forming the map, with a heart for Tasmania. Shared as a tribute to the firies and wildlife, the post went viral.
Identities, print suites, signage and packaging.
Sales collateral for a luxury residential launch: three brochure editions for terraces, apartments and penthouses, plus large-format site hoardings.
A complete identity for a boutique interiors studio: logo, stationery and a responsive website, kept quiet and warm to match the work.
Named the development and designed its cloth-bound sales brochure: dark and tactile, with a foil-stamped cover.
Two friends and I created Fuzzy Forts: an eco-friendly range of modular panels that slot together into forts, houses and toy storage. I created the name, logo, brand, product styling and the ecommerce website.
Launch films, social cuts and animated loops.
Shoots I’ve art directed, from brief and casting to the final frame.
I designed the clothing and directed the launch shoot and film: warm, sun-washed stills and a launch film shot in a Mediterranean-style village.
A country-estate campaign film for InStitchu’s autumn–winter tailoring. I assisted with art direction and styled the looks for the film and stills.
Hand-drawn commissioned artworks that take 10+ hours each, built up in several layers of pencil on paper.
Cinematic AI video for property, hospitality and lifestyle marketing.
Prompted and art-directed eight-second loops: animated renders, hotel dining, sunset timelapses and lifestyle scenes, made to sit alongside real photography in campaigns.
Side projects, one-offs and everything in between.
Twelve years across fashion, property, construction, education and brand work, in-house and freelance. I direct shoots, edit motion, build brands and use AI generation to take ideas further, from concept to the last print file.
Alongside client work I paint. The hyperrealism shapes the commercial work: light, material and detail that make something feel real.